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  • ALSO BY JOHN SANDFORD

    Rules of Prey

    Shadow Prey

    Eyes of Prey

    Silent Prey

    Winter Prey

    Night Prey

    Mind Prey

    Sudden Prey

    The Night Crew

    Secret Prey

    Certain Prey

    Easy Prey

    Chosen Prey

    Mortal Prey

    Naked Prey

    Hidden Prey

    Broken Prey

    Dead Watch

    Invisible Prey

    Phantom Prey

    Wicked Prey

    Storm Prey

    Buried Prey

    Stolen Prey

    Silken Prey

    Field of Prey

    KIDD NOVELS

    The Fool’s Run

    The Empress File

    The Devil’s Code

    The Hanged Man’s Song

    VIRGIL FLOWERS NOVELS

    Dark of the Moon

    Heat Lightning

    Rough Country

    Bad Blood

    Shock Wave

    Mad River

    Storm Front

    Deadline

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    G. P. PUTNAM’S SONS

    Publishers Since 1838

    An imprint of Penguin Random House LLC

    375 Hudson Street

    New York, New York 10014

    Gathering Prey _3.jpg

    Copyright © 2015 by John Sandford

    Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

    Library of Congress Cataloging-in-Publication Data

    Sandford, John, date.

    Gathering prey / John Sandford.

    p. cm.—(Prey ; 25)

    ISBN 978-0-698-15251-9

    1. Davenport, Lucas (Fictitious character)—Fiction. 2.  Private investigators—Minnesota—Minneapolis—Fiction. 3.  Homeless persons—Crimes against—Fiction. 4.  Serial murder investigation—Fiction. I. Title.

    PS3569.A516G38 2015 2015005017

    813'.54—dc23

    This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.

    Version_1

    For Michele

    Contents

    Also by John Sandford

    Title Page

    Copyright

    Dedication

    Chapter 1

    Chapter 2

    Chapter 3

    Chapter 4

    Chapter 5

    Chapter 6

    Chapter 7

    Chapter 8

    Chapter 9

    Chapter 10

    Chapter 11

    Chapter 12

    Chapter 13

    Chapter 14

    Chapter 15

    Chapter 16

    Chapter 17

    Chapter 18

    Chapter 19

    Chapter 20

    Chapter 21

    Chapter 22

    Chapter 23

    Chapter 24

    Chapter 25

    Chapter 26

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    Skye and Henry stood on a corner of Union Square on a fading San Francisco afternoon in early June, the occasional odor of popcorn swirling through, trying to busk up a few dollars. Skye saw the devil go by in his black ’85 T-top, crooked smile, ponytail, twisty little braids in his beard. His skinny blond girlfriend sat beside him, tats running across her bare shoulders like grapevines, front teeth filed to tiny sharp points. Skye turned away, a chill running down her back.

    Henry was strumming on a fifty-dollar acoustic guitar he’d bought at a pawnshop. Skye played her harmonica and kept time with a half tambourine strapped to one foot, jangling out into the evening, doing their version of “St. James Infirmary,” Henry banging between chords and struggling through,

    “When I die, bury me in a high-top Stetson hat . . .”

    He did not sound like any kind of black blues singer from the Mississippi Delta. He sounded like a white punk from Johnson City, Texas, which he was.

    •   •   •

    SKYE WAS STOCKY with high cheekbones and green eyes. She wore an earth-colored loose knit wrap over a sixties olive-drab army shirt, corporal’s stripes still on the sleeves, and gray cargo pants over combat boots. Her hair was apricot-colored and tangled, with a scraggly braid hanging down her back.

    Henry was a tall apple-cheeked man/boy with a perpetually smiley face, dressed in a navy blue Mao jacket buttoned to the throat, and matching slacks, and high-topped sneakers. Their packs sat against the wall of the building behind them, big, capable nylon bags, with a peeled-pine walking stick attached to one side of hers.

    “Put a ten-piece jazz band on my tailgate to raise hell as we roll along . . .”

    They both smelled bad. They washed themselves every morning in public bathrooms, but that didn’t eliminate the musty stink of their clothes. A laundromat cost money, which they didn’t have at the moment. A cigar box on the sidewalk held five one-dollar bills and a handful of change. They’d put in two of the dollar bills themselves, to encourage contributions, to suggest that their music might be worth listening to.

    They weren’t the worst of the buskers on the square, but they were not nearly the best, and in terms of volume, they couldn’t compete with the horn players.

    As Henry wound down through the song, his shaky baritone breaking from time to time, Skye noticed the young woman leaning on a fire hydrant, watching them.

    Was she with the devil? She was the kind he went for. Thin but hot. Not blond, though. The devil went for blondes.

    The young woman was casually dressed in a loose multicolored blouse, jeans, and sneakers, each of those separate components suggesting money: the blouse looked as though it might be real silk, the jeans fit perfectly, and even the sneakers suggested a secret sneaker store, one that only rich people knew about.

    Her dark hair had been styled by somebody with talent.

    Skye thought, Maybe with the devil—but if not, maybe good for a five? Even a ten? A ten would buy dinner and a cup of coffee in the morning . . .

    Henry gave up on the “St. James Infirmary,” said, “Fuck this. We ain’t doing no good.”

    “Don’t have enough cash to eat. Let’s give it another ten minutes. How about that Keb’ Mo’ thing?”

    “Don’t know the words yet.” He looked around the square. “We should have gone up to the park. Can’t fight these fuckin’ horns.”